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I BELIEVE THAT DANCING IS AN ACT OF COURAGE AND ONE THAT NEEDS TO BE CARED FOR, ESPECIALLY WITHIN THE CONTEXT OF OUR MEDIA SATURATED WORLD. I  TRUST IN THE POWER OF DANCE TO LIBERATE, ENTERTAIN, AND IGNITE HEALTHY DISCOURSE. I AM INTERESTED IN BRIDGING THE GAP BETWEEN AUDIENCE AND ARTIST, HIGH ART AND LOW ART, THE MAINSTREAM AND THE UNDERGROUND. 

I AM LEARNING HOW TO EMBRACE AND DISCERN MY ARTISTIC INTERESTS. I AM FIGURING OUT WHO I AM, WHAT I STAND FOR, AND WHAT MY PERSPECTIVE IS. MY INTERESTS INCLUDE THE INTERSECTION OF DANCE AND THEATER, POP CULTURE, GENDER AND RACE, AND THE BIGGER QUESTIONS LIKE HOW TO LIVE AUTHENTICALLY. 

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Gallery


I BELIEVE THAT DANCING IS AN ACT OF COURAGE AND ONE THAT NEEDS TO BE CARED FOR, ESPECIALLY WITHIN THE CONTEXT OF OUR MEDIA SATURATED WORLD. I  TRUST IN THE POWER OF DANCE TO LIBERATE, ENTERTAIN, AND IGNITE HEALTHY DISCOURSE. I AM INTERESTED IN BRIDGING THE GAP BETWEEN AUDIENCE AND ARTIST, HIGH ART AND LOW ART, THE MAINSTREAM AND THE UNDERGROUND. 

I AM LEARNING HOW TO EMBRACE AND DISCERN MY ARTISTIC INTERESTS. I AM FIGURING OUT WHO I AM, WHAT I STAND FOR, AND WHAT MY PERSPECTIVE IS. MY INTERESTS INCLUDE THE INTERSECTION OF DANCE AND THEATER, POP CULTURE, GENDER AND RACE, AND THE BIGGER QUESTIONS LIKE HOW TO LIVE AUTHENTICALLY. 

About

I am a New York City based dance artist, yoga teacher, and pilates instructor. With an inclination toward the absurd, I seek to illuminate the underbelly of consciousness by cultivating compassionate listening and deliberate consideration through performance practices.
I began formal dance training at 13 and went on to train at The Royal Winnipeg Ballet School Professional Division. After attaining a B.F.A. from The University of Montana in 2012, I moved to New York City. Shortly after I began working with B.S. Movement and Raja Feather Kelly’s the feath3r theory. I've performed in works by various choreographers throughout New York and abroad.
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Solo Series


Solo Series


Ongoing Solo Series

he screamed so loud and spit all over (Premiere May 2017)
ah, ah and then he poured the beer all over (December 2017)
he ripped his shirt off completely (March 2018)
we all ran around the backyard (Fall 2018)

In the era of confusion between what's real and what’s false, the ability to think is vital to negotiating the world. My work aims to wake audiences up to the complexities of the social, political, and ideological framework in the United States. Popular culture has taught us the right way to feel, do, and be inside of our own experience. The capacity to articulate our own individual experiences has been outsourced to self-help gurus, yogis, and life coaches. By addressing this commodification of experience, I hope to ignite curiosity on how we author our experience of the world. I embrace the gray area over things that are black and white. We constantly think we know something to be what it is when in reality, it’s just an idea. My work celebrates the in-between, the state before something comes to be, and embraces the nature that nothing is as seems - my work like the world is in constant flux.


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Works Sampled


Works Sampled


Selected Performance


Tropico excerpt (2016)

Choreography by Raja Feather Kelly | the feath3r theory


Rope excerpt (2015)

Choreography by Brendan Drake


THE LOVE EPISODE (Another Fucking Warhol Production) SizzleSizzle (2017)

Choreography by Raja Feather Kelly | the feath3r theory

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Upcoming Performances


Upcoming Performances


Upcoming Performances


Wolf-in-Skins ″Informance″ 
Christopher Williams Dance
November 29th - 30th 2017
Kimmel Center, Philadelphia
More info here


SOLO WORK PREMIERE

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ah, ah and then he poured the beer all over

December 5th, 2017
Dixon Place, New York, NY
More info here


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Contact


Contact


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